our mascot
Meet Owstin
Owstin—pronounced Austin—is a playful nod to a long-standing urban legend about the Frost Bank Tower. Locals have joked for years that the building looks like a giant owl perched above the skyline, supposedly designed that way as a tribute to the architect’s alma mater, Rice University, whose mascot is the owl. Whether that was ever the intention is still up for debate—but in branding, a good story often matters more than the official explanation.
Having long called Austin home,
we couldn’t think of a better way
to pay homage.
Owls are curious creatures. They stay up late, watch everything, and somehow manage to look wise while doing it. That felt pretty familiar. Austin has always been a city of night owls—musicians finishing a set at 2 a.m., artists chasing ideas, builders tinkering with something new. Owstin carries that spirit. Part local legend, part watchful guide, he sits above it all with wide eyes and a slightly knowing grin. In a city that never stops experimenting, Owstin reminds us to stay curious, keep exploring, and occasionally look at things from a different perch.That idea reflects how we approach our work at Bach6. Design isn’t just about making things look good—it’s about paying attention. It’s about understanding the problem clearly enough that the solution can be simple.
Owstin represents that mindset: observe first, refine carefully, and let clarity emerge.
our story
Bach6 began in 2015 as a collaboration serving the restaurant and hospitality industry.


In 2023, Sam Truong became the sole principal, continuing the practice under the name Bach6 Studio. That same year, a cycling accident resulted in a traumatic brain injury that forced a pause in the work. Recovery required stepping away and reconsidering what deserved time and attention. During that period, Sam turned to another long-standing passion: gardening. He earned certifications in native plants and green infrastructure, then went on to single-handedly design and build over fifteen gardens across the city.

The name Bach honors Sam’s mother.
Sam is her sixth and youngest child.
The gardens followed a simple belief drawn from Eastern philosophy: we are only here for a short time, and the things we build should respect that.
Materials are locally sourced, and concrete is used sparingly so that elements can be reclaimed when a garden changes owners. Like all living things, a garden should grow, change, and eventually return to the soil. Using native plants and water-conscious best practices, ordinary suburban yards became quiet sanctuaries—places where people could slow down and remember their place in the cycle of things.
Today, the studio serves primarily as a portfolio and a foundation for what comes next. After nearly two decades working independently, Sam is now looking to join a new team, bringing with him the same discipline, curiosity, and belief that thoughtful work—like a good garden—should grow alongside the people who tend it.